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Editorial
Photo
Editing


CURATION


“Punishment is not Justice: Defying Definitions after Sexual Violence” Photo by Alma Haser from the series Twins, curated for the cover and lead feature for Bitch magazine issue #78 Revenge






Bitch Magazine Covers
 Issues 78-88


Photo by Alma Haser Photo by Tropico Photo Photo by Kacie Tomita Photo by Mycoze / co-art direction Veronica Corzo-Duchardt & Margot Harrington Artwork by Kellem Monteiro Photo by Gabriela Mendez Photo by bao ngo Self portrait by Lala Lopez Photo by Justine Chen ft. Panteha Abareshi Photo by Alia Romagnoli Photo by Kennedi Carter Artwork by Siwa Mgoboza






“The Lie That Feeds Our Ugly Fascination with Makeover Shows“ by Dara Mathis, photography by John Yuyi curated for in Bitch magazine issue #83 Heat




“Missing, Murdered, but Never Forgotten: Violence, Colonialism, and Justice for Indigenous Women” by Abaki Beck, photo by Matika Wilbur, curated for Bitch magazine issue #80 Ghosts



“Unsalvable Mysteries: The Case of the Heteronormative Healthcare” by Rachel Charlene Lewis, photo by Ashley Armitage for Getty Images, curated for in Bitch magazine issue #86 Sick




“Nostalgia & Borders” a photo essay featuring migrant artist and poet, Sonia Guiñansaca, filmed by Jess X. Snow. Curated for Bitch magazine issue #82, Broke.



“We’re Here, We’re Sheer: Cora Harrington’s Lingerie Revolution” by Eva Recinos, photo by Bao Ngo, curated for Bitch magazine’s issue #84 Glamour.



“On 90 Day Fiancé, Love is a Form of Capitalism” by Jordan McDonald, photo by Jekaterina Nikitina for Getty Images, curated for Bitch Magazine’s issue #86 Sanctuary.






“A Tale of Two Poles: What Stripping in Guam Taught Me about Colonialism” by Natassja Schiel, photo by SOPHIE, curated for Bitch magazine issue #87 Fantasy

“Listening for Footsteps: Offering a Brief Safety in a Hostlie Place” by Barbara Sostaita, photo by Verónica G. Cárdenas, curated for Bitch magazine issue #86 Sanctuary



“Sunday Best: The Beauty and Timelessness of Black Adornment Rituals” by Tanisha C. Ford, photography by Kennedi Carter, creative direction by Jazsalyn, curated for Bitch magazine issue #84 Glamour

Jazsalyn’s Family, Kennedi Carter, 2019.Textile designer, Jazsalyn McNeil, stands with three generations of family on her grandmother’s farmland. (Left to right) Unissha, 35; Jazsalyn, 27; Niyla, 15; Wyshana, 40; Cheryl, 60; Gertrude, 83; Uraya, 6; Samarah, 12; Arabella, 4





“30 Years after the ADA, It’s Time to Imagine a More Accessible Future” by Anna Hamilton, featuring photography by Richard Downing for Sins Invalid, a POC-led disability justice-based performance project that incubates and celebrates artists with disabilities, centralizing artists of color and LGBTQ/gender-variant artists.


Antoine Hunter, left, and NEVE Mazique, two Black dancers wearing gold and white, one of them wearing a crown, are posed against a dark earthy background. They both glow under the stage lights. One lies on the ground with one leg up, the other leans sideways in their wheelchair one arm out with fingers extended, one leg up with their foot balancing on the other dancer’s leg. Beneath an enormous, bright and shadowy full moon, before a large free-standing mirror with a wooden frame, Lateef McLeod, right, a Black man, lies back in the arms of Lisa Thomas Adeyemo, a Black woman. He wears black underwear, his pants around his knees, sitting on a sheep skin, his arm folded in front of him. She cradles him, her head resting on his shoulder. Nomy Lamm, a fat white femme dressed as a baby bird hovers, one leg extended at a right angle from her body, over a nest made of twisted body parts and prosthetic limbs. Cara Page, a Black femme with short hair, bare shoulders, and a black body suit holds her hand, extending the other arm behind her body. They are framed against a background of tree branches and dappled leaves. Lateef McLeod, a Black man in a dapper all-white suit stands, arms out, smiling, held up by another man who stands behind him, holding him under his armpits. There is a vibrant blue background, and a drummer sitting at the far back left side of the photo.



“In Her Image” A photo essay by Heather E. Reese, curated for Bitch magazine issue #84 Glamour


















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